A few months ago, I picked up the the Fuji GW690ii, affectionally called the “Texas Leica” by many. The nickname suits it quite well. Similar to a Leica, it is an all mechanical (no batteries!) true rangefinder camera — but way bigger because this camera makes massive 6×9 medium format exposures. This is the largest size you can get before you enter the land of large format photography.
Despite it’s potentially off-putting size, the Texas Leica is a joy to shoot. The fixed mount lens is a 90mm f/3.5 (which is roughly about a 50mm f/2 in full format). The lens creates a unique look to my eyes and it’s liberating not having to deal with additional lens options. Another meaningful constraint is only 8 shots per roll of 120mm film. This constraint really slows you down and I can feel myself relax when I’m out making photographs with this camera. Operating the camera (loading film, adjusting shutter, aperture and focusing) is super simple and straightforward. The rangefinder patch itself isn’t nearly as bright as the Mamiya 7ii or a Leica M but it’s totally functional.
The most significant drawback for me is the camera doesn’t have bulb mode. So long exposures (>1 second) requires the photographer to set the camera to T mode. Then after your desired exposure time, you have to turn the shutter dial to stop the film exposure. It works but it’s super odd.
I am still getting a feel for this camera and honestly not sure if it will replace my beloved Mamiya 7ii. But for now, I am having a lot of fun with it.
(All images made with the Fuji Gw690ii and Kodak Portra 400 film)
I highly encourage you to subscribe to Heather Cox Richardson’s daily newsletter, Letters from an American. Professor Richardson’s take on current events and then tying them to historical significance is unique, insightful and compelling. Yesterday she wrote about how the Texas anti-abortion law is not just about abortion.
This is the foundation for today’s “originalists” on the court. They are trying to erase the era of legislation and legal decisions that constructed our modern nation. If the government is as limited as they say, it cannot regulate business. It cannot provide a social safety net or promote infrastructure, both things that cost tax dollars and, in the case of infrastructure, take lucrative opportunities from private businesses. It cannot protect the rights of minorities or women.Heather Cox Richardson, Letters from an American
The Supreme Court allowed this Texas law to stand. It’s a step back for our nation and our women. And with a 5-4 decision it is tragic that the last US President, who lost the 2016 popular vote, can pack the highest court with 3 appointees. Yes, this is a broken system which leads to horrible outcomes.
There is a lot to do. The first thing I did is donate to the Democratic Senatorial Campaign Committee. The DSCC is the best way to help get more Democrats in the United States Senate which is critical in so many ways, including Supreme Court appointments.
Please join me and spread the word.
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Last night, my wife and I went to see Jonathan Russell perform at the Dreamland Theatre here on Nantucket. We have seen Jonathan and his band, The Head and the Heart, play many times before.
But this show was different. It was our first time seeing an in person live performance (of any kind) since 2019. I suspect that was true for many/most of everyone else in attendance. Right away, you could feel the excitement and energy with the audience even before he took the stage. Everyone had a smile on but keenly aware of this moment.
And it was also Jonathan’s first in person live performance. He talked openly about coping with the pandemic as a musician and what it’s been like for him. I can’t imagine someone who has sold out large venues felt playing in front of a small audience in some small town after 20 months. You could feel his anxiety and nerves and he said as much over and over again. It was one of the most vulnerable, intense shows I’ve ever been to. So many emotions washing over us all — audience and artist alike. All the sorrow and pain we have shared collectively and alone in our thoughts.
The musical performance was beautiful. Jonathan is getting older. He wears glasses to read. He face has signs of aging. But his voice and art remains something truly special and I’m grateful we had the opportunity to catch his first gig since 2019.
I Promise, Radiohead
I love black and white films. And I love this island. Here are a collection of photographs from last month from Nantucket.
All photographs made with a Mamiya 7ii and Kodak Tri-X 400 film. Developed and scanned by Richard Photo Lab in California.
I’ve never been someone who writes in a journal
But earlier this year, my therapist suggested I keep a journal and so I’ve been doing just that.
I started keeping everything in a field notes book but I felt too vulnerable — like I would lose it or someone would find it and read all about my innermost thoughts.
I still write in my paper based notebook every day but for notes during various meetings, scribbling down to do lists and jotting down ideas while they are still fresh.
But for daily journaling and keeping a diary of sorts, I switched to Day One. It’s super clean makes it super easy to write down thoughts during the day. It also makes sense of your unorganized and often overlooked mobile photographs. And it’s all secure with end to end encryption. Best of all (I think) the company behind Day One was recently acquired by Automatic.
And if there is one company I trust with this sort of product, it’s got to be Automatic.
Solar Power, Lorde
As winter finally loosened it’s grip, I felt the urge to get in my car and wander. It seems like most of the time I end up in Concord.
(Camera: Mamiya 7ii, Film: Kodak Portra 400, Lab: Richard Photo Lab)
All My Favorite Songs, Weezer